monster beats 2010 pure American art return -

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In march every year the first week that art circles came to New York from all directions, they just read the annual the armory art fair - is undoubtedly in the United States and even the global art market vane - and hurried to attend the highest honor to represent the United States contemporary art Whitney biennale. However, 2010 week, guys seem to collective began to reflect.
"Baby" by Thomas Houseago
In New York such a polarizing city, the commercialization of Chelsea art circles, the academic circle, and the upper east side museum expanded gradually, more young brooklyn semi-underground art circle between the distance seems more and more far, idea and trend of conflict is becoming more and more strong.
The Uklanski Piotr eight-line "Google
By 2010, New York, and financial crisis than before Chelsea, including commercial art district, or by Whitney American art museum and the New York museum of modern art led the upper east side museum laps, cannot again to concept or offers hype is proud. Low-key opening 2010 Whitney biennale even first failed to use any topic,monster beats, but direct exhibition named as "2010". If the 2010 American can use a word to describe, this word is depression. Art investment cuts in financial crisis after two years, is no longer a startling,monster cable beats, but the 2010 American art reality. 2009 the armory fair volume is only two thirds of 2008, this year the armory fair although slightly rebounded, however artistic works with two years ago the unit price is still in heaven compared. This year the armory trade fair, Chelsea several "force" gallery and even whole without a trace. The art market lasted nearly 10 years of bubble in 2008 September as the financial market bubble together pieces. Countless buyers blunt million dollar price of modern and contemporary art a rush to the scene is no longer, the rest is for real quiet reflection and to understanding. And this self-realization process is 2010 American art. Whether artists, curators or galleries in this week on show to our are they on the most neighboring reality thinking: future is no longer a push toward luxury and prosperous roads, American art and American society needs to solve urgent problems.
"We love the United States, and the love we" by Bruce High Quality Foundation
Give art priced, people would buy?
In New York city, west, HuDeSen river on the dock the armory the same as last year history, the exhibition hall was divided into the second modern art and contemporary art is two parts, both the focus point each is the 20th century art and the 21st century art. In the armory contemporary exhibition booth, mileage hundred gallery paintings, sculptures such traditional art form still have a place of modern art is believed to be the biggest genre of abstract expressionist painting and not out of the stage of history, even in amounts to more than any other schools. And Andy warhol's -- this time be recognisable as modern artists - the aesthetic and homedecor Jackson pollock or Picasso - compared with contemporary museum, obviously, most of his works more close.
The armory art fair: the body"
In fact, the warhol's circle into the modern artist faction the simplest reason is price hype. When art market downturn, speculative buyers no longer as usual keen to invest in no value assurance of contemporary art, the modern art, or "well-known artists" work became diamond products.
For nearly a decade of "sex" contemporary art and the art of self theorization conceptualization packaging seemed to come to an end. The armory lots of contemporary art works frankly the art as luxury to marketization, on the surface of the aesthetic feeling with attract customers. Fair as galleries selling after second market, especially the lack of work depth. Video art, film art, behavioral art, interactive electronic art concepts such as hot flashes in ordnance garage appear relatively weak. Two with behavior and video art known female artists MaLinNa abramovich and tile inside Sally - than crawford respective shows from performing works from extends, quick buyers collection of photography, prop and sculpture. But in recent years the concept profiteering still make common occurance of today's contemporary art in concept and form repeat appear with identical and blindly subordinate to the so-called contemporary art aesthetic trend, as if no labeled as a concept trademark, he couldn't find the market approbate.
The armory art fair: "animal"
The armory audience all found myself being lined with neon letters surrounded by the word slogan. This Bruce nai mann in the 1960s first try art form now has flooded the trend, and banners itself has grown more empty, and don't talk about neon itself is a symbol of the twentieth century. Similarly, a life-size animals or character sculpture also is this year the armory big heat forms of art. No matter which direction steps and you can see another large pink rabbit,mbt mwalk, or almost lifelike naked women and men.
The armory art fair: the neon letters"
Modern art and contemporary art dialogue in Whitney biennale continues. By 2010,tory burch slipper, Whitney biennale also is divided into two parts. New works exhibited the main exhibition, exhibition hall exhibits the attic besides Whitney collection of biennale 75 Olympic history once has exhibited works. This year biennale cooperation curators, ever plan over Venice biennale italians franco cut scottie - Bernard extruding and Whitney deputy curator Gary - kali grace - Nebraska Alexander is also a old new. Bernard dense is international independent curator in minority of various art form shows extreme inclusive curators and kali grace - Nebraska Alexander's collection of Whitney is deep understanding. A new exhibition and collection exhibition of cohesion between also so let accidentally appear very fluent,dr dre headphones, showed the modern and contemporary art is the difference between the time code, but not for art form constantly update process, even for itself with the time constant updates,p90x, looking for restricting cocoon methods of process.
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