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Modern Design of Chinese elements

called modern design is compared with traditional designs, and the today's modern, yesterday is today's tradition. Modern design is not fall from the sky, it is coming from the development of traditional design, but this development is not inherited, but a new channels. Speaking of traditional design, which makes me think of a phenomenon in recent years: the foreign influx and infiltration of various thoughts, gradually shake our inherent values and aesthetics, to make our design more and more distant from the national character,[link widoczny dla zalogowanych], although some people realize that the traditional Chinese elements of modern design's important role and can not add to abandon the traditional tracing, leading to stagnation in the development of modern design. This allows us to have to strengthen the trend of globalization and localization of care.
China has a long history of thousands of years, and we did not take us to explore the essence of traditional Chinese and flourish, can not say that is a very regrettable thing. When we explore the traditions that do not feel good and do not usually lost, we should do is to appeal to the prosperity and the revival of the traditional struggle, because these are the needs of our time. Graphics are a lot of Chinese traditional inheritance and development after a long over, is the wisdom of human vision,[link widoczny dla zalogowanych], these graphics have a strong Chinese flavor, but also implies the Chinese culture, is thousands of years of inherited tradition of visual patterns cultural crystallization. We should learn to visual resources into the traditional visual elements of modern design. Reinterpretation of the aesthetic significance of the traditional graphics, so that our design is more timeless cultural values. China's broad visual culture is rich in resources, pottery patterns, bronze patterns, carved beams, brick wood carvings, folk paintings, clay sculpture, paper horses, and so Art and crafts, are the treasure house of Chinese visual and cultural resources, and its resource endowments deep, varied and has a unique visual language and artistic conception.
Yunnan Dongba language is a very small minority - Naxi, about 1,000 years ago started using hieroglyphs. Due to the geographical environment and history of the various special reasons, the Dongba language is the world's only surviving pictographic class text. Dongba characters similar to painting, very close to the simple pictographic style,[link widoczny dla zalogowanych], which was nearly a thousand million people worldwide favorite. So many people see it as a symbol of fashion, printed on watches, tea sets on. Dongba strong text symbols, visual communication in the course of its readability and interpretation of the increasing mechanization of modern design into a programmable vitality. And the use of visual expression Dongba script as the basic elements of modern design to complete the visual effect is difficult to obtain. This is a very good traditional Chinese elements and modern design of the combination. Nation is the world, when we consciously take the initiative to re-Westernization and modernization, we should strive to form their own characteristics, history in order to re-discover the indigenous culture.
Here, we can consider such a question, why is the Chinese people to get work overseas to go, foreigners do not see the design of the Chinese people?
In China,[link widoczny dla zalogowanych], many artists always try to create some of the latest works of the most international, western appreciate what they do. Without a sense of confidence and self-examination, globalization is very dangerous, this can easily lead to the neglect of our national tradition. Certainly not the attention has gone the traditional self-image simulation, but not in a closed manner to protect the cultural heritage. Traditional art forms must be closely related to today's life, the traditional art form before we need to better understand, in-depth research. When we emphasize the openness of the same culture, but also pay attention to the significance of cultural traditions and values.
Here I would like to sign water park in Shenzhen, the logo design is based on Watermark shape,[link widoczny dla zalogowanych], reflecting the Water Park ; and This example shows a very good Chinese cultural elements in the use of modern design. Nation is the world, China's design should be the first Chinese to grasp the essence of his native country and then slowly put his things international.
We know style with Chinese elements and visual language, rooted in the Chinese cultural environment, how the visual language of international communication and understanding environment to achieve? how Chinese and Western visual language visual language to achieve better Fusion? We should not be limited to the narrow racist or nationalist, but should play down the nation in the works - the national consciousness, showing that the boundary-free care. Chinese design has its own culture, to get the respect of the West, we have more power, but also have the right to speak. Seeking a tolerant pluralistic, and it is this based on the diversity of our tolerance will lead ultimately transcend the barrier between cultures and struggles.
the dawn of the new century, we should strive to open up new horizons, to conduct a review of traditional culture and re-understanding. Know yourself, transform the world! To change the world, we must get to know yourself. China stressed the elements of contemporary creative design and style, not just blindly nostalgic, retro, but also a cultural symbol of independence and rehabilitation, has practical value, is the creative design into the future, to the world an important topic.

References:
[1] n. 齐格蒙特鲍曼, Zhou Xian translation. the human consequences of globalization. Beijing: Commercial Printing Press, .2001 version.
[2] Zeng Hui. design story. Beijing: Beijing Publishing House .2007 edition.

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